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Zoe Ang/Bomb Magazine
A consummate fixture on the New York jazz scene, Lew Soloff's career is filled with a rich history of renowned sessions and world-class collaborations. Soloff is known as a virtuoso with tremendous range and superior technical command, yet he exudes a wisdom for quietness and melody. Soloff's expertise includes trumpet, flugelhorn, harmon mute, plunger mute and he is recognized for his work on piccolo trumpet.
"Air" is his latest solo project (Crown Records/Japan - 2003) recorded with the Lew Soloff Quartet. For this recording, Soloff surrounded himself with old friends Victor Lewis and Larry Willis along with new friend Francois Moutin. Soloff's current work schedule provides a varied platform for his music. He is a regular in Carla Bley's 4X4 group, and remains a founding member (along with leader David Matthews) of The Manhattan Jazz Quintet with 28 recordings to their credit (and a faithful following in Japan). He recently joined the classical ensemble Manhattan Brass, performing works by Bach as well as Wynton Marsalis. Soloff is also a constant in trombonist Ray Anderson's colorful ensemble Pocket Brass Band. As of late, Soloff finds himself exposed to the "downtown scene" working with Bobby Previte and his adventurous musical tribute to Joan Miro, which features Charlie Hunter and DJ Logic. Soloff also records and tours with The Absolute Ensemble, a 19-piece chamber music group that interprets everything from Stravinsky to Hendrix.
It was the mid-1960's when the fertile jazz scene in New York City ignited Soloff's career. By 1966, he was performing with Maynard Ferguson and soon became a regular in the Joe Henderson / Kenny Dorham Big Band. That year he also joined the Gil Evans Group, an affiliation he considers his most influential. But it was in the popular groundbreaking group Blood, Sweat And Tears that Soloff's trumpet solos became an indelible part of American culture.
This classically trained jazz player however is indeed a chameleon in front of the microphone, participating in sessions and concerts for some of music's most respected figures namely; Lionel Hampton, Mercer Ellington, Teo Macero, Bob James, Laura Nyro, Wayne Shorter, Tony Bennett, Elvis Costello, Dr. John, Marianne Faithful, Aretha Franklin, Keb Mo, Sinead O'Connor, Lou Reed, Frank Sinatra and Paul Simon. Defying strict classification, he can also be heard on recordings by Phillip Glass and Kip Hanrahan as well as Blues legends John Mayall and Charlie Musselwhite.
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workshops A respected educator Soloff appears as guest soloist at universities and high schools around the country. For this work, he
utilizes arrangements by his mentor Gil Evans, along with other unique charts including an Ellington medley and treatments of
his own originals. He has been on the faculty of the Manhattan School of Music for nearly 20 years and has been an adjunct
faculty member at Julliard and New School. His workshops are tailored to the specific needs and ideas of his students.
"I attempt to develop a comfortable rapport when speaking to a group of student players, with terms they can easily understand,"
explains Soloff. "And I play a lot. For me, demonstration is always the best communicator."
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